The BBC and the 13th Doctor

Things change. The end of the Moffat-era as a showrunner and the change in the main character’s role could be sensitive for the fans, but after this season (the lowest ever in the ratings) the BBC was in for something more than a few replacements.

Steven Moffat did a great job, with some minor glitch here and there, until Peter Capaldi came in the show. I’m sure it’s coincidence, but it still troubles me to see that one of the best available actors has been set up with the weakest streak of episodes in the last few years. A new showrunner was needed and Chris Chibnall is a very strong choice.

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The Fandom, the Awards and the Business

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It looks like that 2016 will be remembered as a turning point for a lot of matters about modern-day fandom and for all the turmoil connected to the awards. I wrote about it a few months ago (here) and sadly I’ve to say that things have not improved so far.

The online debate after the last WorldCon reached a new level of bitterness and the echo in the mainstream media has been, if possible, even worse than at the start of the Sad Puppies / Rabid Puppies campaign. The public image of the sci-fi fandom could be compared to a downsized version of a noisy political debate, with very few attention to what really matters: the business of acquiring and selling good stories, no matter who write it and why.

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